111 年 國立臺灣大學外文學系碩士班《專業英文:英文作文》
第 11 題
In her 2008 book The Fall of Language in the Age of English (translated into English in 2015), Japanese novelist Minae Mizumura explores the position of languages other than English in the modern world. Mizumura herself was raised in the United States, where she studied French literature at university, but she returned to Japan as an adult and has mainly written in Japanese.
The excerpt below is taken from a section of The Fall of Language where Mizumura gives a lecture at an academic conference on temporality and literature in France. After carefully reading the excerpt, write a coherent and argument-driven essay in which you analyze and respond to Mizumura's claims.
In 1868, the isolationist Edo shogunate, which reigned over Japan for more than 250 years, finally came to an end. The Meiji Emperor took over power in what is called the Meiji Restoration, and Japan officially opened its doors to the West. Innumerable changes proceeded to take place in the country. One of them was the change in Japanese awareness of time—of temporality—which is directly related to the subject of this symposium. This awareness also concerns modern Japanese literature.
For Japanese people before 1868, Europeans were little more than curious beasts, strange and incomprehensible. Then, after the Meiji Restoration, everything changed. Along with European science and technology, European art flooded into Japan, all forms of it representing themselves as the universal and most advanced—model. The same was true of novels. The Japanese, with characteristic diligence, began to read masterpieces of European literature, first in the original and then in translation. And such is the power of literature that through the act of reading, little by little the Japanese came to live the lives of Europeans as if they were their own. They began to live the ambitions of Julien Sorel, the happiness of Jane Eyre, the sufferings of young Werther, and the despair of Anna Karenina as if they were their own. They thus began living a new temporality—that which flows in the West, dictated by the Gregorian calendar, marked by major historical events in the West. And by so doing, they eventually joined what the Europeans called "humanity."
Bravo to my ancestors!
And yet, as you all know, joining humanity is never a simple matter. By beginning to live the same temporality as Westerners, the Japanese now had to live two temporalities simultaneously. On the one hand, there was Time with a capital "T," which flows in the West. On the other hand, there was time with a small "t," which flows in Japan. Moreover, from that point on, the latter could exist only in relation to the former. It could no longer exist independently, yet it could not be the same as the other, either. If I, as a Japanese, find this new historical situation a bit tragic, it's not because Japanese people now had to live in two temporalities. It's rather because as a result of having to do so, they had no choice but to enter the asymmetrical relationship that had marked and continues to mark the modern world—the asymmetrical relationship between the West and the non-West, which is tantamount, however abstractly, to the asymmetrical relationship between what is universal and all the rest that is merely particular.
Whereas the Japanese who joined humanity began also to live in universal, Western temporality, people in the West did not live in Japanese temporality. Japanese temporality was merely particular. In fact, since modernity, all educated people in the world have come to live in Western temporality in one way or another. Yet only the Japanese lived in Japanese temporality (with the exception of those colonized by the former Japanese Empire who had no choice but to live in even more complicated temporalities). Japan's entry into humanity meant living in this asymmetrical relationship.
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這是一篇英文作文題目,要求考生閱讀一篇關於日本在明治維新後,如何受到西方文化影響,特別是在時間觀念(temporality)的轉變,並以此為基礎,分析並回應作者Minae Mizumura的論點。考生需要寫一篇結構清晰、論證嚴謹的英文短文。
核心觀念:
這篇文章探討了文化接觸、現代性、時間觀念的差異,以及西方與非西方世界之間的權力不對稱關係。Mizumura認為,日本在明治維新後,透過閱讀西方文學,學習並採納了西方的時間觀念(Time with a capital "T"),並將自身傳統的時間觀念(time with a small "t")置於其下,從而進入了一種「人類」(humanity)的普遍性,但也因此陷入了西方與非西方之間不對稱關係,以及普遍性與特殊性之間的不對稱關係。
解題策略:
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仔細閱讀與理解: 逐段閱讀文章,理解Mizumura的核心論點:
- 明治維新後,日本向西方開放,西方文化(包括文學)湧入。
- 日本透過閱讀西方文學,體驗了西方人的生活和情感,並接受了西方的時間觀念(由格里曆和西方歷史事件定義)。
- 這使得日本人同時擁有兩種時間觀念:西方的「Time」(普遍)和日本的「time」(特殊)。
- 這種同時擁有導致了日本進入一種「不對稱關係」(asymmetrical relationship),即西方與非西方、普遍與特殊之間的不對稱。
- Mizumura認為這種狀況「tragic」,並非因為有兩種時間觀,而是因為被迫進入這種不對稱關係。
- 西方人並未同樣體驗日本的時間觀。
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分析Mizumura的論點:
- 「時間觀念」的影響: 文章強調了文學如何能深刻影響讀者的內在經驗,包括時間感。Mizumura將此連結到日本如何「活」在西方時間中。
- 「人類」(humanity)的定義: Mizumura質疑了西方定義的「人類」標準,暗示日本為了「加入」人類,必須放棄或至少屈從於西方模式。
- 「不對稱關係」: 這是文章的關鍵概念。Mizumura指出,這種關係體現在西方中心主義(Western-centricity)和全球現代性(global modernity)中,非西方世界被要求採納普遍(西方)模式,而自身特殊性則被邊緣化。
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構思你的回應:
- 同意或不同意? 你可以同意Mizumura的分析,進一步闡述這種不對稱關係的後果;或者你也可以提出質疑,例如:
- 這種「不對稱」是歷史必然還是可以被挑戰的?
- 日本是否真的完全被動接受?是否存在文化抵抗或融合(hybridity)?
- Mizumura對「人類」的定義是否過於狹隘?
- 她對日本傳統時間觀念的描述是否過於理想化或簡化?
- 現代性是否必然導向這種不對稱?
- 舉例說明: 你的論點需要具體例子來支持。可以從日本現代文學、歷史事件、當代文化現象等方面舉例。例如,日本如何透過自身的現代化進程,在某些方面挑戰或重新詮釋西方的普遍性?
- 結構:
- 同意或不同意? 你可以同意Mizumura的分析,進一步闡述這種不對稱關係的後果;或者你也可以提出質疑,例如: