108 年 國立臺灣大學翻譯碩士學程甲組《筆譯基本議題》
第 I. 題60 分
Note: Answers may be given either in Chinese or in English
I. Essay Writing: (60%)
"Language is embedded in culture, linguistic acts take place in a context and texts are created in a continuum not in a vacuum. A writer is a product of a particular time and a particular context, just as a translator is a product of another time and another context. Translation is about language, but translation is also about culture, for the two are inseparable."
This is a statement made by Susan Bassnett toward the end of "Culture and Translation," a chapter she contributed to the assigned reading for this exam. Read the cited passage very carefully and then, with reference to, or examples inspired by, other assigned chapters, write an essay, with certain magnitude, related to the following issues:
- The factors that might affect text production (translated or otherwise).
- What does it mean when people say "Every act of writing and translating is ideological"?
- The concept of equivalence in translation.
- How to attempt at a definition of translation that may be compatible with the cited passage above?
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這是一道開放式的論文寫作題,佔總分 60%,極具挑戰性。它要求考生深入理解 Susan Bassnett 的引言,並圍繞其核心觀點——語言、文化、寫作與翻譯的不可分割性——展開論述。考生需要結合課程指定的閱讀材料(引言中提到 "other assigned chapters"),提出自己的見解,並以「一定規模」(with certain magnitude)的論述來回應以下四個子題。
這四個子題涵蓋了翻譯研究中的幾個核心議題:
- 影響文本產製的因素(不論是翻譯或非翻譯文本): 這題要求考生思考,除了語言本身,還有哪些內外在因素會影響一個文本的生成。這可以從作者的背景、寫作目的、目標讀者、時代背景、社會文化環境、創作媒介、甚至作者當時的生理心理狀態等角度切入。對於翻譯文本,則需額外考量譯者、原文與譯文的文化差異、翻譯策略、譯文的傳播與接受等因素。
- 「所有寫作與翻譯行為都是意識形態的」的意涵: 這是一個深入探討翻譯倫理與社會角色的問題。
第 II. 題40 分
II. Analyze and comment on the following excerpt of a novella translated into Chinese. Credits will be given to candidates who can problematize the translated text and engage themselves in sustained academic discussion of translation/translating. (40%)
Les Trois Couronnes
At the little town of Vevay, in Switzerland, there is a particularly comfortable hotel. There are, indeed, many hotels; for the entertainment of tourists is the business of the place, which, as many travellers will remember, is seated upon the edge of a remarkably blue lake - a lake that it behooves every tourist to visit. The shore of the lake presents an unbroken array of establishments of this order, of every category, from the "grand hotel" of the newest fashion, with a chalk-white front, a hundred balconies, and a dozen flags flying from its roof, to the little Swiss pension of an elder day, with its name inscribed in German-looking lettering upon a pink or yellow wall, and an awkward summer-house in the angle of the garden. One of the hotels at Vevay, however, is famous, even classical, being distinguished from any of its upstart neighbors by an air both of luxury and of maturity. In this region, in the month of June, American travellers are extremely numerous; it may be said, indeed, that Vevay assumes at this period some of the characteristics of an American watering-place. There are sights and sounds which evoke a vision, an echo, of Newport and Saratoga. There is a flitting hither and thither of "stylish" young girls, a rustling of muslin flounces, a rattle of dance-music in the morning hours, a sound of high-pitched voices at all times. You receive an impression of these things at the excellent inn of the Trois Couronnes, and are transported in fancy to the Ocean House or to Congress Hall. But at the Trois Couronnes, it must be added, there are other features that are much at variance with these suggestions: neat German waiters, who look like secretaries of legation, Russian princesses sitting in the garden; little Polish boys walking about, held by the hand, with their governors; a view of the sunny crest of the Dent du Midi and the picturesque towers of the Castle of Chillon.
I hardly know whether it was the analogies or the differences that were uppermost in the mind of a young American, who, two or three years ago, sat in the garden of the Trois Couronnes, looking about him. rather idly. at some of the graceful objects I have mentioned. It was a beautiful summer morning, and in whatever fashion the young American looked at things they must have seemed to him charming. He had come from Geneva the day before by the little steamer to see his aunt, who was staying at the hotel. Geneva having been for a long time his place of residence. But his aunt had a headache - and now she was shut up in her room, smelling camphor, so that he was at liberty to wander about. He was some seven-and-twenty years of age. When his friends spoke of him, they usually said that he "was at Geneva studying"; when his enemies spoke of him, they said but, after all, he had no enemies; he was an extremely amiable fellow, and universally liked. What I should say is, simply, that when certain persons spoke of him they affirmed that the reason of his spending so much time at Geneva was that he was extremely devoted to a lady who lived there a foreign lady a person older than himself. Very few Americans indeed, I think none -had ever seen this lady, about whom there were some singular stories. But Winterbourne had an old attachment for the little metropolis of Calvinism; he had been put to school there as a boy, and he had afterwards gone to college there circumstances which had led to his forming a great many youthful friendships. Many of these he had kept, and they were a source of great satisfaction to him.
After knocking at his aunt's door, and learning that she was indisposed, he had taken a walk about the town, and then he had come in to his breakfast. He had now finished his breakfast; but he was drinking a small cup of coffee, which had been served to him on a little table in the garden by one of the waiters who looked like an attaché. At last he finished his coffee and lit a cigarette. Presently a small boy came walking along the path-an urchin of nine or ten. The child, who was diminutive for his years, had an aged expression of countenance: a pale complexion, and sharp little features. He was dressed in knickerbockers, with red stockings, which displayed his poor little spindle-shanks; he also wore a brilliant red cravat. He carried in his hand a long alpenstock, the sharp point of which he thrust into
三冠大酒店
在瑞士的一個小城——費維,有一家特別舒適的旅館。事
實上,費維根本就有許多家旅館,因為這是一個專靠旅業以維
持繁榮的名勝區。許多到過瑞士的遊客都會記得,費維位在一
個藍得非常可愛的湖邊上——————道湖是每個遊客總要一遊的地
方。湖岸一帶有各式各樣的旅舍,櫛比鱗次,排列成行。從最
新型的「大酒店」(屋前粉飾得雪白一片,凸出成百個小洋台,
屋頂上飄揚着十幾面旗幟)到舊式的瑞士式小公寓(公寓的名字
漆在粉紅或黃色的牆上,字體客帶德國風味,花園的一角築着
簡陋的凉亭)都應有盡有。但是費維的許多旅館中,有一家却
特別出名,甚至可以說睥睨同業,因為和附近那些有暴發戶氣
息的旅館相形之下,這一家既豪華舒適,又有悠久的歷史;它
簡直洋溢着一種高貴和成熟的美。每年六月間,總有無數美國
遊客從各處湧到這裏來消夏。這時費維就會呈現出某些美國避
暑勝地的特色。那裏所見所聞的一切,時常給人一個印象,彷
佛大家又回到了美國的紐坡特或薩拉拓加。裝束入時的姑娘們
脚步輕盈地在人叢中穿來穿去,細布製成的衣裙粹瘵有聲;夜
深還響肴的興奮的舞曲;一天到晚都聽得見的高音噪子…………………道
些在三冠大酒店常有的景象,總使人想起海洋大厦或國會飯店
來。可是我還要附帶聲明一下,除了上述的情形之外,三冠大
酒店還有些迥然不同的特點:那裏有許多衣履整潔的侍者,看
來活像公使館裏的秘書;俄羅斯皇室女眷,坐在園裏休憩;波
蘭小男孩,撞着教師的手,在園中散步。從酒店眺望遠處,可
以看得見丹特·杜・米地山上陽光絢爛的山頂,還有希龍古堡
那些富於裔趣的樓塔。
兩三年前,有一個美國青年獨自坐在三冠大酒店的花園
裏,懶洋洋地看着上述的一些悅目的景色。我不知道他心裏認
爲這些景象究竟像還是不像他在祖國所見的。那是一個晴朗的
夏日早晨。可是不管他怎樣想,我猜他一定覺得週圍的一切都
非常迷人。他一向住在日內瓦,前一天才乘了小汽船到費維來
探望他的姑母。這姑母就住在三冠大酒店。但是這天她頭痛得
很厲害————————她似乎三朝兩日總在頭痛————————所以自己關在房裏,
嗅着樟腦以減少痛苦,而這姪子就隨意在外面閒蕩。他名叫温
德朋,年約二十七歲。當他的朋友提到他時,他們總是說他在
日內瓦「讀書」;而他的仇人提到他時,他們却說————不過,
事實上他並沒有什麼仇人。他人緣極好,大家都喜歡他。我意
思說,有些人提到他時,總堅持他之所以長期滯留在日內瓦是
因為捨不得那裏的一個外國女人———————————位風韻猶存的半老徐
娘。很少美國人———————恐怕根本沒有一個美國人————看見過這女
人,不過大家都聽見過各種關於她的流言蜚語。實際上,温德
朋的確對這個作為卡爾文教派(註)發祥地的城市懷着根深蒂固
的好感。他從小在那裏讀書,一直讀到大學。在這情形之下,
他自然結識了不少當地的人士。有許多他幼年時期的朋友到現
在還同他保持着親密的友誼。這一點是他每一念及,總深爲得
意的。
温德朋敲過他姑母的房門,知道她身體不適後,就獨自到
外面的街道上去逛了一會,然後回來吃早餐。這時他已經吃完
早餐,不過還坐在園中的一張小桌旁邊喝咖啡。這一小杯咖啡
是一個參贊模樣的侍者替他送來的。他喝掉了最後一口咖啡,
才開始悠閒地抽烟。過了一會,小徑上出現了一個十歲左右的
小男孩。這孩子身材雖然畧嫌矮小,面目却有點像個大人:
臉色蒼白,輪廊細緻而清楚。他穿着膨起的燈籠褲,細瘦的腿
上裹着紅襪子,胸前還垂着一條鮮艷奪目的大紅領帶。他手裏
拿着一根很長的登山杖。他一路走着,一路把長杖的尖端插到
任何碰得着的東西上——包括園裏的花壇,椅子,和女人的長
裙。他走到温德朋面前時,忽然停下脚步,用一雙明亮而銳利
【註】卡爾文為十六世紀法國宗教改革家,會在日內瓦居留多時。
he was an extremely amiable fellow, and universally liked.
What I should say is, simply, that when certain persons
spoke of him they affirmed that the reason of his spending
so much time at Geneva was that he was extremely devoted
to a lady who lived there a foreign lady a person older
than himself. Very few Americans indeed, I think none
-had ever seen this lady, about whom there were some
singular stories. But Winterbourne had an old attachment
for the little metropolis of Calvinism; he had been put to
school there as a boy, and he had afterwards gone to college
there circumstances which had led to his forming a great
many youthful friendships. Many of these he had kept, and
they were a source of great satisfaction to him.
After knocking at his aunt's door, and learning that she
was indisposed, he had taken a walk about the town, and
then he had come in to his breakfast. He had now finished
his breakfast; but he was drinking a small cup of coffee,
which had been served to him on a little table in the garden
by one of the waiters who looked like an attaché. At last
he finished his coffee and lit a cigarette. Presently a small
boy came walking along the path-an urchin of nine or ten.
The child, who was diminutive for his years, had an aged
expression of countenance: a pale complexion, and sharp
little features. He was dressed in knickerbockers, with red
stockings, which displayed his poor little spindle-shanks; he
also wore a brilliant red cravat. He carried in his hand a
long alpenstock, the sharp point of which he thrust into
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本題為第二部分,佔總分 40%,要求考生分析並評論一段英文小說(Henry James 的 Daisy Miller 的開頭部分)的中文譯文。考生需要「質疑」(problematize)譯文,並進行「持續的學術性討論」。這意味著不能僅僅指出一兩個錯誤,而是要深入探討譯文在語言、文化、風格、語氣等方面與原文的差異,分析這些差異如何影響讀者對文本的理解,並將其置於翻譯理論的框架下進行討論。
核心任務:
- 文本分析: 仔細閱讀原文(英文)和譯文(中文),找出兩者在詞彙、句法、語氣、文化指涉、風格上的異同。
- 質疑譯文(Problematize): 識別譯文可能存在的問題。這些問題可能包括:
- 文化失落或轉化: 如原文中涉及的特定地點(Vevay, Geneva, Newport, Saratoga)、社會階層、服飾(knickerbockers, red stockings, red cravat)、生活方式("American watering-place")等,在翻譯中是否被準確傳達或適當地處理。
- 語言風格的差異: 原文的敘事語氣(如作者的旁白、對人物的評價、細膩的描寫)在譯文中是否得到保持。例如,原文中 "a lake that it behooves every tourist to visit" 或 "neat German waiters, who look like secretaries of legation" 的表達方式,在譯文中如何呈現。
- 詞彙選擇: 譯文是否選用了最貼切的詞語來傳達原文的細微含義,例如 "amiable fellow", "universally liked", "singular stories", "old attachment", "metropolis of Calvinism", "diminutive for his years, had an aged expression of countenance"。
- 句法結構: 英文的長句、複雜結構在中文中如何處理,是否影響了原文的節奏和流暢度。
- 語氣與氛圍: 原文營造的氛圍(如作者的觀察者視角、對人物的微妙評價、對環境的描寫)在譯文中是否被有效複製。
- 學術性討論: 將對譯文的質疑提升到理論層面。可以引用翻譯理論(如文化翻譯學、描述性翻譯研究、功能翻譯理論、後結構主義翻譯理論等)來解釋譯文的現象。例如:
- 討論這種翻譯是否體現了某種翻譯策略(如歸化 vs. 異化)。
- 分析譯文如何處理原文中的「異質性」(foreignness)。
- 探討譯者在傳達美國文化背景下的情境時所面臨的挑戰。
- 結合 Bassnett 在第一部分的引言,討論譯文如何反映(或未能反映)語言與文化的緊密聯繫。
具體分析點(示例):